Remember
that article I wrote about dubstep? And how I said that I would talk about good
“modern” dubsteppers at some point? Well, today is that point.
Thanks
to Facebook, I discovered Chrispy via a friend who was testing his car’s
subwoofers with a song. I had heard of dubstep and seen this kid post a few
other songs like it before, and this groggy Sunday afternoon (I sleep extra
late on the weekends, like 12 is kinda early for me) I decided to check it out.
With my super-fancy Sennheiser headphones (They were around 80% off, so don’t
think I’m some rich dude) pumping ridiculous bass at me, I was sold.
Chrispy
is a 19 year old DJ (who looks like a 14 year old girl) from England who’s been making hard-hitting beats for a few
years. He started just posting stuff on Youtube and Soundcloud, but has now
moved up to a record deal with 2 Much Bass Records. And it’s easy to see why –
in a genre where everyone is racing to become the Skrillex or doing stupid
stuff like Borgore, he’s doing something fairly unique. A simple, open 2-step
beat, very original samples, and dark mind all come together to create some fairly
dirty tracks.
See,
rather than building a song around cramming as much wobble into a song as
possible, he structures his tracks around a sample. And not in the way most
dubstep DJs do; he doesn’t just use the sample in the beginning to set the set
the tone. Rather, he overlays that sample throughout the song, using it as an
anchor for the massive lows he throws at people. I shouldn’t say throw though;
he carefully lays each wub in the song to compliment the sample and make the
track interesting. Most DJs will just either drop the samples in favor of
wobble, or keep the sample prominent and the dubstep in the background. Chrispy
effortless mixes the two into just the right combination to keep dubsteppers
and people who appreciate music happy. He also gets big ups for keeping the
tone and feel of the Requiem for a Dream Theme in his remix (which keeps a film
geek like me happy).
While
dubstep is easy to do, good dubstep is hard. Bad DJs will just allow their
wobble to loop a few times as they set up the next tone, or they pile on a bunch
of wobble all over the place to disorientate audiences. However, Chrispy varies
his wubs often enough to keep listeners enthralled without making it all a confusing
mess. A great example would be his remix of the Inspector Gadget theme song (it’s
Elliott’s favorite dubstep song. It doesn’t matter if it’s the only one he
likes). However, I decided to share my personal favorite, “Predator”. It’s just
a fantastic all around mix that anyone could like, even the stupidest dubheads.
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