Before you ask, no that is not the lead singer of Beach
House. This is Lower Dens, a band that admittedly sounds a bit like Beach
House, especially when you compare their singers back to back, but no, Lower
Dens should be thought of as a band all on their own, and at the very least their
most recent release, Nootropics proves that. Further proof: they are going on
an international tour with Grizzly Bear. It is easy to think of a band as
coming out of nowhere and being thrust into popularity, but this is very rarely
the case, and Lower Dens comes across as a band that has put a lot of hard work
into their music over the last few years that is finally starting to pay off.
Their sound is very well polished, and while that is not necessarily a product
of a bands musicianship, you get a real sense with Nootropics that it is.
I think here it is important to mention what a Nootropic is.
It’s a drug that is meant to enhance memory. There are two themes that consistently
work their way into most dream pop. The first is obvious, sleep, and the second
is memory. Ever since My Bloody Valentine opened up Loveless with the restlessly
ambitious Only Shallow, the topic of sleep has been a keystone for the genre of
Dream Pop, which draws so heavily from Shoegaze. Plus its just common sense
that a genre called Dream Pop would sing about sleeping and dreams. The second
is a little more ambiguous, but is not that much of a stretch from dreams. How
many times in your life have you falsely attributed something that actually
happened to a dream or vice versa? And how many times have you had a dream only
to have it fade away like sand through your finger tips? Plenty probably. While
I would say that of the music that focuses on memory, Tom Wait’s Rain Dogs,
Deerhunter’s Halcyon Digest, and Blouse’s self titled album in particular, all
focus on the ephemeral aspects of memories, the fleetingness of it. It is
interesting then that Lower Dens tries right off the bat to stand out from
these works in that they named their album after a memory enhancing drug. What’s
more is that Nootropics just feels clearer. Its not as hazy as Blouse, and its
certainly not as hazy as Loveless. Get this; you can actually make out all of
the lyrics. Overall though these feel like small changes to a well familiar
formula, don’t get me wrong though, Lower Dens earns their stripes in other
ways.
I
mentioned earlier that their musicianship was a strong contributing factor to their
polishedness, and that musicianship is also what sets them apart from some other
contemporary bands. Most of the musicians, the bassist and the drummer in
particular, seem to be far better than they need to be to make the music work, and
as a result the whole album feels that much better. Where in other bands a
bassist will fill out the low end of sound and just set the loop, the bassist
for Lower Dens does a very good job of reminding you that the bass is being
played by a human. There are strange rhythm patterns and unexpected chord
changes that really put movement underneath the main focus of the songs,
something other bands should take real note of. The drummer too is skilled (or
if a drum machine was used, the album is well produced), knowing when to really
hammer out a beat under an otherwise delicate melody is a tricky mission, one accomplished with
flair and tact on Nootropics. Anywho, it’s
an album worth picking up. And yes, the singer sounds like that person from
Beach House.
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