Every normal man
must be tempted at times to spit on his hands, hoist the black flag, and begin
to slit throats. -H. L. Mencken
Each of the big hardcore punk bands from the eighties had
their own appeals. The Sex Pistols were perhaps the angriest, The Dead Kennedys
the most political, Bad Brains had their unique fusion of reggae and punk, it
was these skills that set those bands apart from the rest. Black Flag too had
something that they were particularly skilled at, and that was getting under
the listeners skin. For them, it was not enough to be angry, their goal was to
get the listener angry. They could bother the listener just enough, either by
using ultraviolent imagery or by screaming lyrics, and then transform that
uncomfortable feeling into actual anger in way that few others have ever been
able to do. This was a band that had everything you could want from a punk outfit,
the attitude, the look, the songs, and while many other bands also had these
qualities, Black Flag had an artistic aesthetic that was untouched, and
ultimately flew under what would become one of the most iconic symbols of any
band ever. It is that artistic aesthetic that has made me so eager to write
this segment, and the fact that Black Flag was able to create such an image out
of themselves when most other bands in their genre barely had the sense to look
beyond their haircuts.
First Work: The Death Ray by Daniel Clowes (Graphic Novel)
The Death Ray is a story about a
young disenfranchised boy growing up in the sixties trapped somewhere in
suburbia who, after sneaking a cigarette discovers that nicotine gives him
super strength and speed. On top of that he discovers that his father who had
died along with his mother in a car crash had left him a death ray. The main
characters name is Andy, and throughout the novel he debates whether or not he
should help people by killing persons that are causing them trouble. Ultimately
he goes through life wandering about killing people with his death ray simply
at his own discretion, and while he usually has no real ill will towards these
people that he kills, their crimes could hardly be enough to justify death. The
first and probably most obvious reason why Black Flag relates to The Death Ray
is because of the comic imagery that Black Flag continuously used. Promotional
material for the band drew heavily from comic strip art, usually depicting
either deplorable murders or sex acts. Death Ray too draws on the unexpected
pairing of what could normally be considered a tame medium with violent or
unexpected images.
It is interesting too that both
works draw heavily from the aesthetic of the nineteen sixties. For Black Flag,
sixties music whether it be prog rock, psychedelica, or plain rock n’ roll, was
exactly what they were trying to attack with their music. They, and most other
punk bands, viewed the lengthy musical breaks and concept albums of bands like
Pink Floyd, and the neverending jams of live bands like The Grateful Dead as
the ultimate expression of self-centeredness and as being the music of their
parents, and sought to make music that was less pretentious and better served
the needs of what young people, marginalized young people especially, wanted to
hear. What’s more is that the sixties and seventies were when most of the punk
artists were growing up, and it was an age they associated with their parents
and the beginning of whatever political plights they disliked. It seems Clowes
tries to draw on some of that same anger when describing Andy’s experience,
although Andy is far less angry than anything Black Flag ever produced and is
far more apathetic and detached from the world around him.
Another
thing that very much reminds me of Black Flag in Andy is his inability to
control the world around him initially, and then the way in which he tries to
regain some of that control. When I think about Andy I see someone who could
very much relate to people like Henry Rollins of Black Flag. I imagine that the
punk rockers of the eighties must have been a little something like Andy in the
seventies and sixties, detached, separate, and isolated, never really fitting
in. And in turn, when I look at punk rockers and I compare them to Andy, these
are both characters that very much have totally been able to shape the world
around them after coming into their own identities. In the case of Andy he uses
his death ray to carve out a little bit of control for himself, taking out his
frustration 100% of the time without reprisal. Persons in punk bands and specifically
members of Black Flag were really able to shape their environments in a way
that Andy was unable too. By dressing in a certain way and acting a certain
way, and then by spending a great deal of time with others who also dress that
way and also talk that way, one can very much form their own world in the image
of some ideal, and no real subculture did that to the extent to which punk was
able to do it. In a culture where Identity was so important, many punk bands
would have symbols or monikers so that persons could easily tell a Black Flag
fan from someone who liked the Subhumanz, or a Minor Threat fan from someone
who was really into M.D.C.. Without really having anything to do with the music
Black Flag easily stood apart by having such a damn sexy symbol. In this way
you could easily identify with a band by say having a patch on your denim
jacket (with the sleeves ripped off of course) and then others could identify
you as a member of their in-group simply by your appearance.
Second Work: Rebel Without a Cause (Movie)
Now I wanted to discuss Rebel Without a Cause to highlight
more of its differences from Black Flag. As we all know James Dean, probably
one of the sexiest men to ever grace a movie screen was the embodiment of a bad
boy, someone who didn’t play by the rules and couldn’t care less about societal
expectations. Throughout the film he skips school, drinks in excess, gets into
a knife fight, and almost drives his car off a cliff. And while there are
certain aspects of the film that I could point to and relate Dean’s experience
to Black Flag the differences between the two are what really define each
respective party. For one lets look at Deans appeal. James Dean as I said
before (and will probably continue to reiterate throughout this piece) was a
sexy sexy man. His character in the film, as its name would suggest was indeed
a rebel. But he was not anything like the men that would get up on stage and
scream their lungs out for hours on end for crowds of similarly minded people. People’s
respect of Dean’s character in the film was derived from the fact that, while
his ideals were different than the ideals of others around him, they were still
for the most part in the moral right. There was nothing ethically ambiguous
that Dean’s character did in the movie, except for perhaps in the first scene
in which he is depicted as staggering drunk, which by all accounts is hardly a
great sin. On the other hand Black Flag earned their respect in a different
way, not by being morally in the right (although for certain they did embody an
ideology that had its own moral standards), they earned their respect by simply
being more fucked up than the people around them.
While
fundamentally Rebel Without a Cause and the character it depicts is different
than Black Flag and the people that they actually were, there are some
similarities that can be made. The obvious one would be the disconnect between
Dean’s parents in Rebel and the perceived disconnect between Black Flag and
their parents (Im not sure if any of them actually had problems with their
parents but I would assume so citing the culture and of course some of their
material like Family Man), and certainly the disconnect between the majority of
punk fans and their parents. Where Dean’s problem comes from his weak father
figure and the refusal of his parents to understand his perspective, they are
eventually brought back together at the end of the film and most of their
differences are reconciled. With Black Flag however, the donning of the punk
look, the constant listening to the music, and the physical fleeing of home
that often accompanied the punk lifestyle, all served as wedges meant to sever
ties to parents and as a result no reconciliation ever gets to occur.
The
level to which persons could identify to the character Jim and to Black Flag
were similar in a way, the red jacket that Dean donned in the film is probably
one of the most iconic symbols in popular movie history. It is hard not to
think of the jacket and not compare it to the jackets that punks would don
every night. And of course the red leather is symbolic much in the same way
that a Black Flag sticker or patch is. In terms of what I discussed earlier
with the punk movement being a way of shaping ones own environment, we see this
too in Rebel Without a Cause, particularly in the scene where Deans character,
his love interest and their young friend who is picked one rush off to an
abandoned mansion to pretend to be husband wife and son. In case you haven’t seen
the movie it is about as weird as I just described it there, but it relates to
how acts like Black Flag completely redefined their own life experiences by
shaping the culture and refusing to be a part of anyone else’s vision of how
the world should be.
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