As many of you know, on our Peabody Nominated series Summer Psychosis the Clash were eliminated……Sigh. Give me a minute…Okay, okay. Anyway, I’m still a bit upset about it. So I decided to write to make me feel
better.
Big
Audio Dynamite (or BAD for all you hip kids reading this) was Mick Jones’ brainchild
after he left the Clash. Mick and
Joe never exactly saw eye to eye with the musical direction of the band because
their influences and ambitions were a bit diverging. This disparity lead to some of the most diverse and
innovative music of the decade, but as all good things must end. The tension was a bit much for the band
to keep recording music together.
Joe went to do his thing and Mick started BAD with director/musician/all
around interesting guy Don Letts (seriously I can’t stress how both these guys
are very influential and interesting).
The
music these guys made was nothing like what the Clash was making (unless you
count their newer stuff). It fused
dance, reggae dub, hip-hop, and funk as well as sampling a lot of other musical
styles. These guys were one of
(but certainly not the first) popular groups to sample heavily in their
music. Their first few albums
really gained some traction in the UK, but for the most part they were a bit
unknown in the states.
Take
the opening track from their self-titled, the song that started it all. It samples from 3 spaghetti westerns
including two of the Dollars trilogy movies (some of the best westerns ever)
(fun fact: Mick and Joe were both huge fans of American westerns, Joe even
started in one.) The beat is still
really catchy, and as fun to dance to as it was in 1984. The subject matter of the song is that
of…well a medicine show. The
singer is pedaling a “miracle cure-all concoction” suggesting it can do all
types of amazing things. It’s very
witty if you can actually make out what he’s saying, but if you can’t the music
should be enough.
E=mc2
is really great to with a fantastic horn part, and samples from the film Performance
(staring Mick Jagger?) All in all
his release has some solid club hits with some pretty interesting sounds
peppered in there. If you pick it
up it a lot of fun listening for them, and appreciating how much more
challenging this would be to make in 1984 where nothing was digital, and there
wasn’t even Youtube to look up stuff to sample.
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